Ready to ship!
Hand-fabricated in Magandjin (Brisbane), Australia, this ring is formed through a process of melting and fusion, ensuring no two pieces can ever be exactly alike, each is a true one-of-a-kind creation. Drawing inspiration from the raw geometry of Brutalist architecture, the design embraces strength, texture, and intentional imperfection. Crafted in sterling silver and set with a Herkimer diamond, the ring is offered in size P (approximately a US size 7.5).
“I'm drawn to imperfection, to the raw and unrefined, to the kind of beauty that reveals itself slowly.Through these unconventional rings made from uncut rocks and crystals, I explore that idea.
These rings are my quiet rebellion against those conventions. I used “ugly,” non-gem quality raw stones, setting them in sterling silver using rough, unconventional methods.
Rather than correcting mistakes during the making process, I choose to leave them visible, fusing over them instead of hiding them.
To me, it’s like mark-making on paper, every flaw tells part of the story. While these pieces may not be traditionally beautiful, I hope these rings urge the viewer to do a double take.”
Ready to ship!
Hand-fabricated in Magandjin (Brisbane), Australia, this ring is formed through a process of melting and fusion, ensuring no two pieces can ever be exactly alike, each is a true one-of-a-kind creation. Drawing inspiration from the raw geometry of Brutalist architecture, the design embraces strength, texture, and intentional imperfection. Crafted in sterling silver and set with a Herkimer diamond, the ring is offered in size P (approximately a US size 7.5).
“I'm drawn to imperfection, to the raw and unrefined, to the kind of beauty that reveals itself slowly.Through these unconventional rings made from uncut rocks and crystals, I explore that idea.
These rings are my quiet rebellion against those conventions. I used “ugly,” non-gem quality raw stones, setting them in sterling silver using rough, unconventional methods.
Rather than correcting mistakes during the making process, I choose to leave them visible, fusing over them instead of hiding them.
To me, it’s like mark-making on paper, every flaw tells part of the story. While these pieces may not be traditionally beautiful, I hope these rings urge the viewer to do a double take.”
